When Milt Thomas started his EDM shop in 1978, he had one wire machine and a desk for the programming station, all crammed into a 10 by 10-foot space rented in a friend’s machine shop. Appropriately enough, he called his shop the Wire Cut Company. In those days, “you could cut one inch an hour on a wire machine if everything was tuned right,” he recalls. Back then, four inches or so was the maximum
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